A collage of the artist's journal: coloured pencil notation, torn fragments of German text, lined notebook pages with melodic contour lines, a graphite drawing, and three polaroid photographs of the singer performing, one held with a paperclip.

Memory,
Emotion,
and Voice

An opera singer's journal, read through cognitive science

Memorizing and performing a piece surpasses mere repetition; rather, it is anchored in coordination, rhythm, pitch, and tonality, all while accurately recalling the music. Performers often ponder the question of why some passages are easier to retain while others remain difficult or how musical interpretation influences the overall performance. Although music is often perceived as an artistic experience, it is deeply interconnected with our complex cognitive activity.

The autobiographical memories evoked while performing a piece can make particular sections easier to retain. Perceptual, episodic, semantic memory work together to help us better distinguish melodies, associate them with personal experiences, and identify familiar musical passages. These processes therefore shape interpretation, influencing the emotional complexity and expressive approaches during the performance.

This project explores the intersections between opera singing with memory, emotional processing, and speech. Through the incorporation of insightful journal reflections and its correlation with research on the neuroscience behind musical performance, it examines how the brain processes, retains, and responds to music across different disciplines. These insights offer a more nuanced understanding and awareness of performers' practice, enabling implementation of neuroscience insights to cultivate more expressive, thoughtfully informed performances.

From the journal

See the whole archive
Three horizontal bands of coloured pencil on graph paper, yellow-orange at the top, red in the middle and blue at the bottom, each band stepping up and down like a skyline.
Composition of Après un rêve
Gabriel Fauré · 21 August 2026
A graphite pencil drawing of a treble clef at the left flowing into a wide river of many wavy parallel lines that cross the page diagonally, with small square shapes caught in the current near the right.
Composition of O del mio dolce ardor
Christoph Willibald Gluck · 31 August 2026
Black and red ink lines on lined paper. Black lines trace the singer's melody and red scribbled lines the piano accompaniment, with a burst drawn where the music changes and the words 'repeat first line' written beneath.
Composition of The Monk and His Cat
Samuel Barber · 15 August 2026